Regular readers will be familiar with my concept of the ‘Tyranny of Choice’ namely that there is so much music choice now as to be counter productive. 30 million tracks (and counting) is a meaningless quantity of music. It would take three lifetimes to listen to every track once. There is so much choice that there is effectively no choice at all.
A host of music discovery services and apps tried to fix the problem a few years ago but most of them failed and went out of business. A new generation of music services such as Songza, Beats Music, MusicQubed and blinkbox Music are now all trying again with heavily curated approaches, delivering music fans the tracks that matter.
It looks like the Tyranny of Choice isn’t just an issue for the mainstream fan. Look at this quote from the Spotify Insights blog that discusses the rise of Mr Probz in the US:
“What’s clear is that the ‘lean back’ mechanism of curated playlists (as opposed to the ‘lean forward’ method of search which drove European streams) led to the early success of Mr Probz in the US”
Even in Spotify, the global home of the engaged music aficionado, curated lean-back experiences are coming to the fore. The access services are stealing some of the clothes of listen services. This is no bad thing but it does highlight the importance of this 4th phase of the digital music market, the ‘Curation Era’. Spotify gave consumers access to all the music in the world, now it – and others – is trying to help make sense of it all.